I’m currently listening to Murahachibu’s Live album, a 2CD release digitally remastered from the original analog master tapes, and released in 2022. Containing a total of 16 tracks (8 per disc), this is the “Complete Version.”
For many decades Murahachibu’s only album in existence, this recording was made in May 5, 1973, when Murahachi performed a free live concert in Kyoto University’s famed Western Auditorium, with the resulting album was released just two month later on July 3, 1973.
It would be the band’s last performance. Guitarist Fujio Yamaguchi announced his departure after this performance and all the other members went to the United States, effectively disbanding Murahachibu.
I unfold the square paper inside containing the liner notes and read:
Murahachibu was one of the most radical and hippest groups to emerge from the early days of Japanese rock. The band was an anomaly born out of the climate of Kyoto at a time when it was brimming with ancient Japanese culture and innovative creativity, and was the offspring of a drug culture that was even said to be impossible in Japan. Their fierce originality has greatly expanded the possibilities of Japanese rock and has had a strong influence on many artists. A mysterious and fascinating rock 'n roll sound that transcends time and space for more than 20 years and still pulsates with excitement. This CD is a complete recording of the only work released by Murahachibu. (Original Version/Elec Records No. ELW-3003 Released 1973/6/25)
An influential recording in the development of Japanese rock, this album is ranked 4th by Snoozer, and 20th by Rolling Stone Japan on their list of greatest albums by Japanese artists.